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在湘昆劇目《醉打山門》中，“魯智深”的扮演者有一套行云流水、剛勁有力的腿法，那就是大名鼎鼎的“十八羅漢腿”。
In the Hunan Kunqu Opera Drunken Monk Storming the Mountain, the actor playing “Lu Zhishen” performs a set of fluid yet powerful leg movements. That’s the renowned "Eighteen Arhat Leg Techniques."
“十八羅漢腿”顧名思義是由十八種不同的腿法，如踢、踹、蹬、掃、擺等，按照嚴(yán)格的順序連接而成的一套組合。全程要求單腿站立，并且演員需要一氣呵成，中間不能有停頓。
As the name suggests, this sequence combines eighteen distinct leg movements, such as kicking, thrusting, pushing, sweeping, and swinging, executed in a strict order. The entire routine has to be performed on one leg, seamlessly and without a pause.
這套動(dòng)作對(duì)演員的腰腿功夫要求極高。不僅要求腿踢得高、直、快，還要求在快速出腿的同時(shí)保持上身姿態(tài)的穩(wěn)定和優(yōu)美。每一個(gè)定式或瞬間的停頓，都如同寺廟里的羅漢雕塑，富有力量和造型美，這也是其名稱“羅漢”的由來之一。
The technique demands tremendous leg and waist strength. The performer must kick high, straight, and swiftly, while keeping the upper body steady and graceful. So each held pose resembles the powerful and sculptural beauty of Arhat statues in temples, which is how the technique has earned its name.
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